The Maze Runner, as one hardly needs to say about any major film that achieves wide release, is a fast-paced, involving adventure with excellent special effects, and there are even hints of an imperfectly realized effort to achieve a sort of profundity not found in the novel.
Archive for 'Films'
While one can complain at length about the ways that the film fails to do justice to Lowry’s novel, published for readers in 1993, a film adaptation also has to be considered on its own terms, as an original creation designed for viewers in 2014. And, as it turns out, the film actually has some interesting things to say about the young people who were undoubtedly envisioned as its major audience.
by Gary Westfahl The original series of Planet of the Apes films took on the character of a cycle, as apes from the first two films traveled back in time to instigate the events that were seemingly leading, in the fifth film, to the emergence of the world of the first film. Dawn of the […]
by Gary Westfahl From one perspective, Edge of Tomorrow is simply the latest, and strangest, in a long series of films about D-Day, strategically released on the seventieth anniversary of the daring assault that led to the Allied victory over Germany. Again, we observe American and British forces landing on the beaches of Normandy, confronting […]
by Gary Westfahl One of the quirks of renowned magazine editor John W. Campbell, Jr. was his fondness for story titles consisting of a single abstract noun, as illustrated by classics like Isaac Asimov’s “Reason” (1941) and Clifford D. Simak’s “Desertion” (1944) and obscurities like Norman Spinrad’s “Subjectivity” (1964) and Joseph P. Martino’s “Persistence” (1969). […]
by Gary Westfahl Like The Hunger Games (2012) (review here), its wildly successful precursor, The Hunger Games: Catching Fire is a film that makes few demands on its expected audiences of young viewers. They are expected to bond with plucky heroine Katniss Everdeen (Jennifer Lawrence), whose affections are intriguingly torn between sweet boy-next-door Peeta Mellark […]
by Gary Westfahl In several respects, Ender’s Game represents precisely the sort of film that I have been calling for in recent reviews, since it rejects the simplistic and unrealistic world view of melodrama, refuses to divide the universe into virtuous heroes and despicable villains, and explicitly endorses efforts to understand and reconcile with apparent […]
by Gary Westfahl Anyone reviewing Elysium must begin, I suppose, by addressing the controversy du jour surrounding its release, namely, the extent to which the film is a disguised portrayal of contemporary America and its political issues. Certainly, despite their protestations, such suspicions of a covert agenda cannot be surprising to writer-director Neil Blomkamp and […]