I have been studying the films of the unfolding Hunger Games saga as a revealingly successful effort to reflect the attitudes and opinions of the teenagers and young adults in their target audience. And, in a manner that is both fascinating and annoying, this new film offers additional insights into the minds of America’s future leaders.
Archive for 'Films'
It requires considerable courage to make a film that, as I will argue, undertakes to both emulate and refute 2001: A Space Odyssey; and while I ultimately found its argument unpersuasive, the film is still provocative and, one might say, intelligently misguided in ways that are unfortunately rare in today’s filmmaking marketplace.
The Maze Runner, as one hardly needs to say about any major film that achieves wide release, is a fast-paced, involving adventure with excellent special effects, and there are even hints of an imperfectly realized effort to achieve a sort of profundity not found in the novel.
While one can complain at length about the ways that the film fails to do justice to Lowry’s novel, published for readers in 1993, a film adaptation also has to be considered on its own terms, as an original creation designed for viewers in 2014. And, as it turns out, the film actually has some interesting things to say about the young people who were undoubtedly envisioned as its major audience.
by Gary Westfahl The original series of Planet of the Apes films took on the character of a cycle, as apes from the first two films traveled back in time to instigate the events that were seemingly leading, in the fifth film, to the emergence of the world of the first film. Dawn of the […]
by Gary Westfahl From one perspective, Edge of Tomorrow is simply the latest, and strangest, in a long series of films about D-Day, strategically released on the seventieth anniversary of the daring assault that led to the Allied victory over Germany. Again, we observe American and British forces landing on the beaches of Normandy, confronting […]
by Gary Westfahl One of the quirks of renowned magazine editor John W. Campbell, Jr. was his fondness for story titles consisting of a single abstract noun, as illustrated by classics like Isaac Asimov’s “Reason” (1941) and Clifford D. Simak’s “Desertion” (1944) and obscurities like Norman Spinrad’s “Subjectivity” (1964) and Joseph P. Martino’s “Persistence” (1969). […]
by Gary Westfahl Like The Hunger Games (2012) (review here), its wildly successful precursor, The Hunger Games: Catching Fire is a film that makes few demands on its expected audiences of young viewers. They are expected to bond with plucky heroine Katniss Everdeen (Jennifer Lawrence), whose affections are intriguingly torn between sweet boy-next-door Peeta Mellark […]
by Gary Westfahl In several respects, Ender’s Game represents precisely the sort of film that I have been calling for in recent reviews, since it rejects the simplistic and unrealistic world view of melodrama, refuses to divide the universe into virtuous heroes and despicable villains, and explicitly endorses efforts to understand and reconcile with apparent […]