The Age of Adaline proves to be surprisingly attentive to the demands of science fiction, and amidst its emotional turmoil the film is also striving to thoughtfully explore the possible effects of human immortality. It thus qualifies as a worthwhile addition to a long tradition of science fiction stories about immortality.
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To epitomize the experience of watching The Lazarus Effect, then, imagine a new film adaptation of Sinclair Lewis’s Arrowsmith (1925) in which Dr. Martin Arrowsmith, after years of quiet, painstaking medical research, somehow makes a mistake and ends up creating the Incredible Hulk.
A Myriad of Texts, Reloaded, or, The Cliché-Hoarder’s Guide to the Galaxy: A Review of Jupiter Ascending
Readers of this review, at this point, might feel that I am relentlessly berating the Wachowskis for displaying a lack of originality. Yet I am theorizing that the film might have originated when one of them said, “Hey, let’s remake The Hitchhiker’s Guide to the Galaxy, but take out all of the jokes.” And that represents a genuinely original idea. More grievously, though, the Wachowskis also removed something else from The Hitchhiker’s Guide, and from every other film that they borrowed from, and that is their messages.
I have been studying the films of the unfolding Hunger Games saga as a revealingly successful effort to reflect the attitudes and opinions of the teenagers and young adults in their target audience. And, in a manner that is both fascinating and annoying, this new film offers additional insights into the minds of America’s future leaders.
It requires considerable courage to make a film that, as I will argue, undertakes to both emulate and refute 2001: A Space Odyssey; and while I ultimately found its argument unpersuasive, the film is still provocative and, one might say, intelligently misguided in ways that are unfortunately rare in today’s filmmaking marketplace.
The Maze Runner, as one hardly needs to say about any major film that achieves wide release, is a fast-paced, involving adventure with excellent special effects, and there are even hints of an imperfectly realized effort to achieve a sort of profundity not found in the novel.
While one can complain at length about the ways that the film fails to do justice to Lowry’s novel, published for readers in 1993, a film adaptation also has to be considered on its own terms, as an original creation designed for viewers in 2014. And, as it turns out, the film actually has some interesting things to say about the young people who were undoubtedly envisioned as its major audience.
by Gary Westfahl The original series of Planet of the Apes films took on the character of a cycle, as apes from the first two films traveled back in time to instigate the events that were seemingly leading, in the fifth film, to the emergence of the world of the first film. Dawn of the […]
by Gary Westfahl From one perspective, Edge of Tomorrow is simply the latest, and strangest, in a long series of films about D-Day, strategically released on the seventieth anniversary of the daring assault that led to the Allied victory over Germany. Again, we observe American and British forces landing on the beaches of Normandy, confronting […]