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Archive for 'Paul Di Filippo'

Paul Di Filippo reviews K.J. Parker and James Morrow

Special to Locus Online


Both these novellas offer as much pleasure as books three times their size. Snap them up!

Paul Di Filippo reviews Neal Stephenson & Nicole Galland

Special to Locus Online


Just after I had lamented, a few reviews ago, that authors were not inclined nowadays to indulge in old-school, one-on-one collaborations, along comes this giddy, engrossing romp of a novel authored by a team. It’s a seamless performance reminiscent of such ancestors as de Camp & Pratt, while still hewing to ultra-modern standards and practices for SF novels with a magical slant.

Paul Di Filippo reviews Gregory Benford

Special to Locus Online


From his wonted haunts in the intergalactic realms of space, Gregory Benford has come down to Earth — a venue he has not totally neglected in the past, given such seminal and well-received quasi-naturalistic works as Timescape — to produce a counterfactual novel in the manner of Harry Turtledove.

Paul Di Filippo reviews Robert Jackson Bennett

Special to Locus Online


The rest of the book is a hurdle across many venues, a cat-and-mouse game in which Sigrud and his allies have to stay one step ahead of Nokov to frustrate his plans for world domination. Finished pretty much with any fresh worldbuilding — that activity was executed sufficiently in the first two books — Bennett can now use his well-established venues and cultures as stagesets for incredible action.

Paul Di Filippo reviews Bud Sparhawk

Special to Locus Online


Sparhawk offers us unflashy, solid tales which nonetheless often extend SF’s remit. He never neglects either real technological novums nor humanistic story-telling values. He does not privilege message over entertainment, nor vice versa, but rather tries to keep both in balance. And in the end, he’s all about the art and the history and traditions of the genre, not self-aggrandizing grandstanding.

Paul Di Filippo reviews Eric Flint & Mike Resnick

Special to Locus Online


Flint and Resnick deliver an outstanding, madcap, goofball adventure, with plenty of surprises and not a dull moment. If you want some points of comparison, I would adduce Ron Goulart, Keith Laumer, James Schmitz and — a fellow who has unfortunately dropped off the publishing map — that master of surreal japes, Philip Palmer.

Paul Di Filippo reviews Poul Anderson

Special to Locus Online


The date range is almost identical to that of the selections in The Best of Gordon R. Dickson: Volume 1 that I reviewed earlier this month. And right up front, I believe we can make an important distinction along these lines. Poul Anderson was simply the better and more influential and consequential writer of the pair…

Paul Di Filippo reviews Allen Steele

Special to Locus Online


After being more or less defunct for decades, this seems to be Captain Future’s time to be reborn. The Captain’s retro yet timeless virtues — both the hero’s personal creed and the narrative stylings — are arguably congruent with cultural trends today toward a desired and desirable return to basics and old verities with a useful revisioning.

Paul Di Filippo reviews Gordon R. Dickson

Special to Locus Online


Dickson began publishing professionally in 1950, and this first volume of his Best Stories chronicles the years 1954 through 1964 — with one important exception. Editor Hank Davis has wisely and temptingly kicked off the collection with “Love Song,” the piece that Dickson sold to Harlan Ellison for Last Dangerous Visions, and which has been unseen since.

Paul Di Filippo reviews Caitlín R. Kiernan

Special to Locus Online


The heterogeneous tales assembled in this collection display Kiernan’s large but tightly interlocked range of interests. Outsiders, art, the elements, transcendence, sex, love, failure, responsibility.


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