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A collaborative blog by Locus editors, contributors, and other invited guests. The opinions expressed here are solely those of the authors, and do not reflect the editorial position of Locus Magazine or Locus Online.

 




 


Editor

Alvaro Zinos-Amaro

Contributors

Alan Beatts
Terry Bisson
Marie Brennan
Karen Burnham
Siobhan Carroll
John Clute
F. Brett Cox
Ellen Datlow
Paul Di Filippo
Michael Dirda
Gardner Dozois
Andy Duncan
Stefan Dziemianowicz
Brian Evenson
Jeffrey Ford
Karen Joy Fowler
Kathleen Ann Goonan
Theodora Goss
Elizabeth Hand
Cecelia Holland
Rich Horton
Guy Gavriel Kay
James Patrick Kelly
Mark R. Kelly
Ellen Klages
Russell Letson
Karen Lord
Brit Mandelo
Adrienne Martini
Tim Pratt
Cat Rambo
Paul Graham Raven
Graham Sleight
Maureen Kincaid Speller
Peter Straub
Rachel Swirsky
Paul Witcover
Gary K. Wolfe
E. Lily Yu

A Bit of History on SF Poetry

Robert Frazier is an author, poet, and editor whose work has appeared in magazines such as Strange Horizons and Star*Line, as well as collections such as Invisible Machines.

Karen has asked me to pipe in with some historical perspective on speculative poetry. Antecedents like Blake and Poe and the Odyssey abound, but the movement didn’t gel until more recently. Take, for example, an art colony. Painters can work independently in a location for centuries, but that place doesn’t become an art colony until artists gather around a key painter or patron, and then more colonists pile on the scene and move in permanently. The nexus years for poetry in SF seem to be 1968-69.

On the other side of the pond the Penguin Modern Poets series and New Worlds magazine were using works by D.M. Thomas and Edwin Morgan, and the landmark volume (our bible) was the Edward Lucie-Smith anthology Holding Your Eight Hands. On this side of the pond, Virginia Kidd published a litmag of poetry by participants in the legendary Milford workshops like Tom Disch and Ursula le Guin, and Fantasy and Science Fiction began to augment its fiction with stuff that stepped beyond the role of page filler. Poets were consciously writing serious fantastic works, and the big and small presses began to take notice. A decade later a building wave crested and the Science Fiction Poetry Association was born (1978), and with it the Rhysling Awards.

I’ve just finished designing the 170-page trade paperback Rhysling Anthology for the 2012 voting (edited by Lyn C. A. Gardner, not printed yet), and I can tell you that this year’s nominees cover much the same spread that the early photocopy issues did 30 years ago… SF, high fantasy, pure science, dark fantasy, surreal, and beyond. There’s a strong emphasis on fantasy and dark fantasy, but that is also reflected in the prose and movie fields today. These genre poets seem empowered by the past, and many appear willing to add their voices, their visionary imagery to the future literature. That’s a fairly healthy attitude.

Comments

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Time June 6, 2012 at 5:01 pm

[...] Some History of SF Poetry: Robert Frazier provides some historical perspective on speculative [...]

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